1 00:00:00,000 --> 00:00:02,340 Trust me, Mr. Darenforth, this show is going to work. 2 00:00:02,660 --> 00:00:06,920 Come on, lie down on your feet. Not bad, eh, boss? Terrible. 3 00:00:07,180 --> 00:00:08,180 Needs a little work, huh? 4 00:00:08,640 --> 00:00:09,639 Hopelessly sentimental. 5 00:00:09,640 --> 00:00:10,640 Fairly disgusting. 6 00:00:12,060 --> 00:00:13,060 Only joke, boss. 7 00:00:13,280 --> 00:00:14,119 It stinks. 8 00:00:14,120 --> 00:00:17,400 Why do I say Rex will show you to your table? I'm not going to rest until this 9 00:00:17,400 --> 00:00:18,400 show is perfect. 10 00:00:18,920 --> 00:00:22,380 I used to think that love was... It's good, Mr. Velasquez. 11 00:00:22,860 --> 00:00:26,560 Could be better. We've been at it for hours. We just don't have it. Let's face 12 00:00:26,560 --> 00:00:28,580 it. Shining Lights was out of our reach. 13 00:01:08,620 --> 00:01:09,499 big dream. 14 00:01:09,500 --> 00:01:10,820 You want fame? 15 00:01:11,160 --> 00:01:12,480 Well, fame costs. 16 00:01:12,800 --> 00:01:15,180 And right here is where you start fame. 17 00:02:15,820 --> 00:02:16,900 Are you off your rocker? 18 00:02:17,440 --> 00:02:20,900 What makes you think I would ever marry a man like you? But as she says this, 19 00:02:21,020 --> 00:02:23,720 she's got tears in her eyes. She cares. 20 00:02:24,460 --> 00:02:26,940 Come on, you're crazy about me. Admit it. 21 00:02:27,720 --> 00:02:28,720 I will not. 22 00:02:29,040 --> 00:02:30,120 Oh, yes, you will. 23 00:02:31,300 --> 00:02:32,380 Oh, no, I won't. 24 00:02:33,880 --> 00:02:36,640 I got an argument that'll make you see it my way. 25 00:02:37,820 --> 00:02:38,820 Oh? 26 00:02:39,540 --> 00:02:41,620 And what pray tell might that be? 27 00:02:41,960 --> 00:02:43,480 He shuts her up with a kiss. 28 00:02:44,240 --> 00:02:48,800 She melts in his arms, gazes into his eyes and says... Can I hear that 29 00:02:48,800 --> 00:02:50,780 again? Music begins. 30 00:03:00,100 --> 00:03:04,660 And our heroes dance this fantastic finale number to celebrate the happy 31 00:03:07,780 --> 00:03:09,560 Well, how do you like it? 32 00:03:09,960 --> 00:03:10,939 I'm impressed. 33 00:03:10,940 --> 00:03:13,920 And I tell you, I'm not easily impressed. Solid script. Chris and Lee 34 00:03:13,920 --> 00:03:14,839 a lot of hours. 35 00:03:14,840 --> 00:03:17,840 I didn't work that hard when I was in this school. I'll vouch for that. It's 36 00:03:17,840 --> 00:03:18,840 quite ambitious. 37 00:03:18,960 --> 00:03:21,080 All these lavish costumes and sets. 38 00:03:21,300 --> 00:03:24,360 Don't forget our budget's been cut this year. Again? Hey, Bob, we got a golden 39 00:03:24,360 --> 00:03:27,940 opportunity here. Kimball Foundation is awarding $20 ,000 to the school with the 40 00:03:27,940 --> 00:03:29,560 best student production. I can buy a lot of chalk. 41 00:03:29,800 --> 00:03:31,520 Still, it's an expensive gamble. 42 00:03:32,320 --> 00:03:35,240 You think we have a chance? With talent like this, how can we miss? An award 43 00:03:35,240 --> 00:03:37,600 from the Kimball Foundation would certainly bring national recognition. 44 00:03:38,190 --> 00:03:40,350 Money wouldn't be bad either. You bet it wouldn't. 45 00:03:41,450 --> 00:03:44,410 Gentlemen, I want that award. 46 00:03:45,490 --> 00:03:48,550 Mr. Derenforth, you've got yourself a show. 47 00:04:05,990 --> 00:04:06,990 Second thoughts, kid? 48 00:04:08,459 --> 00:04:10,760 No, everything's fine. Hey, Jesse, knock it off. 49 00:04:10,960 --> 00:04:12,160 Something's on your mind. Talk to me. 50 00:04:14,220 --> 00:04:18,380 Mr. Seeger, I really like this show. And I don't want to mess it up. Yeah, 51 00:04:18,380 --> 00:04:19,380 you're scared. 52 00:04:19,720 --> 00:04:21,579 Terrified. Now, don't blame me. It's a tough job. 53 00:04:22,560 --> 00:04:24,140 But I think you can handle it. Yeah? 54 00:04:24,780 --> 00:04:27,380 Should have been here last year for my production of Twelfth Night. 55 00:04:27,600 --> 00:04:28,299 That horrible? 56 00:04:28,300 --> 00:04:29,580 If there was a horse, they would have shot it. 57 00:04:30,180 --> 00:04:32,140 Now there's a Kimball Foundation prize. 58 00:04:32,440 --> 00:04:33,640 Hey, forget about the Kimball Foundation. 59 00:04:34,100 --> 00:04:35,380 Forget about last year's production. 60 00:04:35,600 --> 00:04:37,080 Forget about the butterflies in your gut. 61 00:04:37,530 --> 00:04:40,530 If you were in my shoes, would you trust Jesse Velasquez to direct this play? 62 00:04:42,310 --> 00:04:43,750 Yeah. Yeah, I would. 63 00:04:45,450 --> 00:04:46,450 So would I. 64 00:05:01,850 --> 00:05:04,450 Come on, put some life in it when I want to see some pizzazz. 65 00:05:05,010 --> 00:05:06,310 Pizzazz, I'm telling you, pizzazz. 66 00:05:08,080 --> 00:05:10,420 Come on, ladies. Hide on it next week, next time. 67 00:05:12,340 --> 00:05:14,180 All right, I'm done listening now. Take five. 68 00:05:16,280 --> 00:05:17,940 How bad, Avon? Terrible. 69 00:05:18,320 --> 00:05:19,320 Terrible. 70 00:05:20,620 --> 00:05:25,140 This is a lot more fun than making cakes at home, isn't it? I'm sure you ain't 71 00:05:25,140 --> 00:05:26,620 going to think so after three weeks of rehearsal. 72 00:05:27,100 --> 00:05:28,100 We make it in. 73 00:05:28,360 --> 00:05:31,820 Oh, I'd give anything to be in this show. We are shillings, kid. You know, 74 00:05:31,860 --> 00:05:33,640 you're a lot better huffer than you think you are. 75 00:05:33,920 --> 00:05:35,540 Becky, we're going to have a chat. 76 00:05:42,440 --> 00:05:45,360 I'm being proud, aren't I? Kid, I'll give it to you straight. Right now, 77 00:05:45,360 --> 00:05:46,360 borderline. 78 00:05:46,940 --> 00:05:50,320 Now, look, I think you got a lot of talent. You just need a little help to 79 00:05:50,320 --> 00:05:51,320 the grade, that's all. 80 00:05:51,480 --> 00:05:53,960 I'm certainly willing to work harder. That's the spirit. 81 00:05:54,380 --> 00:05:56,660 Look, a couple hours of my coaching, you can't miss. 82 00:05:57,100 --> 00:05:58,680 It's 8 o 'clock tonight, my place. 83 00:05:59,480 --> 00:06:01,340 I couldn't ask you to go to all that trouble. 84 00:06:01,860 --> 00:06:03,800 No trouble at all, really. It's my pleasure. 85 00:06:04,420 --> 00:06:05,420 Really. 86 00:06:06,000 --> 00:06:07,000 I'll see you. 87 00:06:10,200 --> 00:06:11,740 Nick, are you trying to tell me something? 88 00:06:12,910 --> 00:06:13,910 Well, yeah. 89 00:06:14,370 --> 00:06:15,850 I think you're one heck of a woman. 90 00:06:16,910 --> 00:06:18,190 I think you're one heck of a guy. 91 00:06:19,310 --> 00:06:22,110 This is just the way it's supposed to sound. You know, they work well 92 00:06:23,130 --> 00:06:24,430 I wanted to kiss you. 93 00:06:26,150 --> 00:06:30,870 Well, do you still feel that way? Don't step on my line. 94 00:06:31,110 --> 00:06:33,470 Hey, wait a minute. What do you want me to do, count to 20 while you bat your 95 00:06:33,470 --> 00:06:37,470 eyelashes? You couldn't count to 20 with your shoes off. Okay, hold it, hold it. 96 00:06:37,510 --> 00:06:40,250 Listen, I hate to interrupt you two lovebirds, but could we please get back 97 00:06:40,250 --> 00:06:41,250 the script? 98 00:06:42,800 --> 00:06:44,720 Hey, Milton, you seen Jesse? He's in rehearsal. 99 00:06:44,960 --> 00:06:45,619 What do you need? 100 00:06:45,620 --> 00:06:48,240 I'll compose the tune for the show, and I thought maybe you'd give it a listen. 101 00:06:48,360 --> 00:06:51,740 Are you kidding me? What do you British know about this kind of music? It's an 102 00:06:51,740 --> 00:06:55,440 American show. We don't need any can -cans. Can -cans are French. 103 00:06:55,660 --> 00:06:58,040 Whatever. Look, kid, we got all the songs we need. 104 00:06:58,660 --> 00:07:00,700 But I tell you what. You want to be in the show? 105 00:07:00,920 --> 00:07:03,700 Of course. Aces. Be here tomorrow at eight. Bring a hammer. 106 00:07:04,760 --> 00:07:05,760 What kind of hammer? 107 00:07:19,560 --> 00:07:22,660 And so I'm meeting Miltie tonight at 8 o 'clock. Isn't it nice of him to help me 108 00:07:22,660 --> 00:07:25,000 out like that? Honey, let me explain this to you real gentle. 109 00:07:25,880 --> 00:07:27,900 Miltie's a jerk, and he's taking you for a ride. 110 00:07:28,260 --> 00:07:30,040 You mean he's not going to help me get in the show? 111 00:07:30,680 --> 00:07:33,300 What do you mean help you get in the show? You are in the show. I am? Didn't 112 00:07:33,300 --> 00:07:35,280 Miltie tell you? You're all in. This is the final group right here. 113 00:07:35,520 --> 00:07:36,520 Not a word. 114 00:07:36,740 --> 00:07:39,700 I don't understand. Why would he offer to coach me if I'm already in? 115 00:07:40,420 --> 00:07:42,220 Kid, you've heard about the birds and the bees? 116 00:07:42,840 --> 00:07:44,120 Let me tell you about the slugs. 117 00:07:50,800 --> 00:07:51,860 Hey, it's us. How's it going? 118 00:07:52,780 --> 00:07:57,040 Gee, Miltie, I'm sorry I can't make it tonight, but I'm house -sitting for my 119 00:07:57,040 --> 00:08:00,060 uncle on Saturday. Would you mind meeting me there? We'll have the whole 120 00:08:00,060 --> 00:08:01,039 to ourselves. 121 00:08:01,040 --> 00:08:04,080 Yeah, sure. I could juggle a few errands. I'll drop by, sure. 122 00:08:04,380 --> 00:08:05,820 Great. Let me give you the directions. 123 00:08:06,040 --> 00:08:06,899 Okay, good. 124 00:08:06,900 --> 00:08:10,100 You take the I -N -D uptown to Yankee Stadium. 125 00:08:10,660 --> 00:08:12,520 Uh -huh. Then you transfer to the I -R -T. 126 00:08:12,800 --> 00:08:15,160 The I -R -T -E? I -R -T -E. 127 00:08:15,820 --> 00:08:17,680 Pelham Parkway. Pelham Parkway. 128 00:08:32,490 --> 00:08:33,489 Keep playing. 129 00:08:33,490 --> 00:08:34,490 Did you write that? 130 00:08:35,809 --> 00:08:37,630 I was hoping they'd use it in the show. 131 00:08:38,130 --> 00:08:39,130 You're kidding. 132 00:08:40,190 --> 00:08:41,190 Oh, you don't like it? 133 00:08:41,470 --> 00:08:42,510 Well, it's kind of corny. 134 00:08:42,970 --> 00:08:46,730 Corny? Yeah, you know, mushy. Of course it's mushy. It's a bleeding love song, 135 00:08:46,790 --> 00:08:47,790 isn't it? 136 00:08:48,110 --> 00:08:49,370 Words any better than the music? 137 00:08:49,690 --> 00:08:53,070 Well, it hasn't exactly got lyrics as yet. 138 00:08:53,750 --> 00:08:55,090 A love song with no words? 139 00:08:56,290 --> 00:08:59,650 What are we supposed to do, Hammett? Well, it's not finished, is it? 140 00:09:00,270 --> 00:09:03,310 In fact, I was working on it when someone interrupted me. 141 00:09:04,170 --> 00:09:05,390 Don't let me get in your way. 142 00:09:05,990 --> 00:09:07,030 See you around, Gershwin. 143 00:09:32,520 --> 00:09:33,540 I think so. 144 00:09:34,140 --> 00:09:35,200 The Bronx Zoo. 145 00:09:37,780 --> 00:09:38,980 Good evening, Mr. Ross. 146 00:09:40,140 --> 00:09:41,300 Oh, hello, Miss North. 147 00:09:41,820 --> 00:09:43,080 It's good to see you this evening. 148 00:09:44,020 --> 00:09:46,940 How come I say it's good to see you this evening? What's the matter with it? 149 00:09:47,160 --> 00:09:48,660 Well, I'm supposed to be hot for this broad. 150 00:09:48,900 --> 00:09:50,960 I mean, why don't I just come out and tell her that I love her? 151 00:09:52,360 --> 00:09:55,440 Because if you do that in act one, then we have no story. 152 00:09:56,640 --> 00:09:57,640 Oh. 153 00:09:59,520 --> 00:10:00,740 I got it. 154 00:10:01,410 --> 00:10:02,410 Hey. 155 00:10:04,010 --> 00:10:05,290 It's good to see you this evening. 156 00:10:05,650 --> 00:10:06,650 Thank you. 157 00:10:07,150 --> 00:10:08,530 Rex will show you to your table. 158 00:10:09,450 --> 00:10:11,470 Why do I say Rex will show you to your table? 159 00:10:21,290 --> 00:10:23,010 On the beat, people, flee! 160 00:10:25,330 --> 00:10:26,610 No, no, no! Together! 161 00:10:26,990 --> 00:10:27,990 Together! 162 00:10:34,700 --> 00:10:35,900 I thought I'd need 11 minutes. 163 00:10:36,120 --> 00:10:37,120 Okay. 164 00:10:38,080 --> 00:10:39,080 Is there a course? 165 00:10:39,280 --> 00:10:40,280 Budget for the set. 166 00:10:40,700 --> 00:10:42,000 All this money for lumber? 167 00:10:42,400 --> 00:10:43,379 It's expensive. 168 00:10:43,380 --> 00:10:44,560 What do you think, it grows on trees? 169 00:10:46,520 --> 00:10:47,680 Where's my back line? 170 00:10:54,180 --> 00:10:55,560 Cole, they sent a plea. 171 00:10:55,900 --> 00:10:57,520 Come on, put some bazaar into it. 172 00:11:05,490 --> 00:11:06,490 Alaska, how's it coming? 173 00:11:06,710 --> 00:11:07,710 Will we be getting into shape? 174 00:11:07,810 --> 00:11:10,870 I hope so. The budget is climbing even higher than I anticipated. 175 00:11:11,730 --> 00:11:13,350 I'd hate to think we were making a mistake. 176 00:11:13,630 --> 00:11:16,030 Trust me, Mr. Darenforth, this show is going to work. 177 00:11:48,720 --> 00:11:49,459 All right, everybody. 178 00:11:49,460 --> 00:11:53,100 All right. That's enough damage for one day. Go home and get a good night's 179 00:11:53,100 --> 00:11:54,280 sleep. You're going to need it. 180 00:11:55,120 --> 00:11:56,660 Because there's a lot at stake here. 181 00:11:57,740 --> 00:12:00,540 We've got a show to put on and it's got to be good. It's got to dazzle the 182 00:12:00,540 --> 00:12:01,540 daylights out of this town. 183 00:12:02,220 --> 00:12:05,380 So we're going to work and we're going to work hard. And I won't stand for 184 00:12:05,380 --> 00:12:06,460 anything less than your best. 185 00:12:07,760 --> 00:12:10,880 From this point on, I demand total perfection. 186 00:12:25,580 --> 00:12:26,580 Yeah, try this. 187 00:12:26,940 --> 00:12:30,460 Works for bowler's elbows. It should work for soft feet. Thanks. A 188 00:12:30,460 --> 00:12:31,460 to the war. 189 00:12:31,680 --> 00:12:34,880 Chris, these are my notes on Act One. Get cracking on those weak spots. 190 00:12:34,960 --> 00:12:36,260 grab us some coffee to go. Right away. 191 00:12:36,460 --> 00:12:38,860 Hey, Jesse, I'm really looking forward to opening night. I'm not. 192 00:12:39,160 --> 00:12:41,880 Why isn't Leroy here? He could be working with you right now. Come on, 193 00:12:41,920 --> 00:12:45,160 The man needs a break. I just finished two shows, man. I'm big. Come on. We're 194 00:12:45,160 --> 00:12:45,859 all big. 195 00:12:45,860 --> 00:12:48,800 This rehearsal schedule is killing us. And with good reason. We can't settle 196 00:12:48,800 --> 00:12:51,880 second best on this one. We're going for broke. Take it easy. We'll be fine. 197 00:12:51,920 --> 00:12:52,920 Just have a little bit of faith. 198 00:12:53,120 --> 00:12:55,020 Shows aren't built on faith. They're built on sweat. 199 00:12:55,290 --> 00:12:57,830 And hard work. Yeah, and don't forget money. We still gotta talk about the 200 00:12:57,830 --> 00:12:59,690 budget, boss. It's way too high. Right, let's go. 201 00:13:02,530 --> 00:13:03,530 Hiya, doll. 202 00:13:04,650 --> 00:13:06,630 So, uh, glad to be in the show. 203 00:13:07,110 --> 00:13:09,110 I had to pull a few strings about it. 204 00:13:09,570 --> 00:13:11,930 I do appreciate it. How can I thank you? 205 00:13:12,390 --> 00:13:14,450 Well, we'll, uh, talk about it on Saturday. 206 00:13:14,930 --> 00:13:15,930 Don't be late. 207 00:13:16,290 --> 00:13:17,790 Melty! Coming, boss. 208 00:13:25,450 --> 00:13:27,150 You know that scene in Act II that doesn't work? 209 00:13:27,730 --> 00:13:29,590 I fixed it. What do you mean you fixed it? 210 00:13:31,930 --> 00:13:33,670 Melanie, I got something to say. 211 00:13:34,910 --> 00:13:38,550 It ain't easy, but I'm going to take a shot at it. 212 00:13:39,130 --> 00:13:40,130 Swell. 213 00:13:41,010 --> 00:13:44,470 Now, I know you're a high society broad, and I'm a simple lug who had to work 214 00:13:44,470 --> 00:13:50,330 his way up to the top. And no, it has been easy, but it's been worth it. Oh, 215 00:13:50,370 --> 00:13:51,650 look, I have another line. 216 00:13:52,950 --> 00:13:53,950 Go on. 217 00:13:55,240 --> 00:13:57,000 Look, Melanie, there's another side to me. 218 00:13:57,540 --> 00:13:58,600 A gentle side. 219 00:13:59,580 --> 00:14:00,640 Like when I was 12. 220 00:14:00,960 --> 00:14:03,340 Hold it. Stop. That's enough. What are you doing? 221 00:14:03,580 --> 00:14:06,360 Hey, look, I admit it's a little rough in some spots. What happened to all of 222 00:14:06,360 --> 00:14:07,360 Melanie's dialogue? 223 00:14:07,640 --> 00:14:11,420 I saw the scene as being more about Nick. I'd be more than happy to give 224 00:14:11,420 --> 00:14:13,260 another line or two. Well, thank you so much. 225 00:14:13,980 --> 00:14:14,980 So what'd you think? 226 00:14:19,580 --> 00:14:20,600 Needs a little work, huh? 227 00:14:20,940 --> 00:14:23,160 Act one, scene two, as written. 228 00:14:41,230 --> 00:14:42,230 Hiya, Gershwin. 229 00:14:43,470 --> 00:14:44,470 Hi. 230 00:14:44,670 --> 00:14:47,830 Hey, you know that plushy love song you were working on the other day? 231 00:14:48,210 --> 00:14:49,210 What about it? 232 00:14:49,470 --> 00:14:52,330 Well, I got bored in history class, so I wrote some lyrics for it. 233 00:14:52,670 --> 00:14:53,870 You know, just as a lark. 234 00:14:55,210 --> 00:14:57,310 Kind of corny. Of course it's corny. 235 00:14:57,510 --> 00:14:58,630 It's a bleeding love song. 236 00:14:59,390 --> 00:15:00,390 Give it a go, then. 237 00:15:19,760 --> 00:15:21,620 the pride, what do you know? 238 00:15:22,780 --> 00:15:28,820 They're the new end to my show, cause it's love I'm after, 239 00:15:28,980 --> 00:15:30,440 after all. 240 00:15:33,480 --> 00:15:36,380 I wrote the script without the fact. 241 00:15:37,160 --> 00:15:43,540 One look at you has changed all that, cause it's love I'm after, 242 00:15:43,740 --> 00:15:45,080 after all. 243 00:15:54,310 --> 00:16:01,150 The more you try to analyze, the 244 00:16:01,150 --> 00:16:07,950 less you get at all. So when it all is said and done, right now is all 245 00:16:07,950 --> 00:16:14,470 that matters, cause it's love I'm after, after all. 246 00:16:17,310 --> 00:16:20,350 I used to think love was passe. 247 00:16:20,950 --> 00:16:22,790 I wasn't afraid. 248 00:16:23,120 --> 00:16:24,120 It's an old cliche. 249 00:16:24,920 --> 00:16:30,320 Because it, wait a minute, is it love that's after love or after, after, what 250 00:16:30,320 --> 00:16:30,939 it, Ian? 251 00:16:30,940 --> 00:16:31,940 What do you think? 252 00:16:32,380 --> 00:16:39,060 Because when we kiss, I must admit, my doubting heart went pat -a -pit. 253 00:16:39,240 --> 00:16:43,940 Because it's love I'm after, after all. 254 00:17:02,120 --> 00:17:04,560 Trading in your silly pride. 255 00:17:05,099 --> 00:17:11,579 But what I'm seeing in your eyes, it's love I'm after, 256 00:17:11,760 --> 00:17:13,160 after all. 257 00:17:16,119 --> 00:17:22,619 So when it all is said and done, right now is all that matters. 258 00:17:42,520 --> 00:17:44,060 Disgusting. So you won't do it again? 259 00:17:44,320 --> 00:17:45,320 Yeah. 260 00:17:45,860 --> 00:17:47,440 Shining lights is going to break us. 261 00:17:47,860 --> 00:17:50,860 Mrs. Berg, has the Board of Ed called? No, not yet. 262 00:17:51,060 --> 00:17:53,460 If they don't okay our budget request, then we're in trouble. 263 00:17:55,100 --> 00:17:58,000 Mr. Johnson, just the man I want to see. 264 00:17:58,260 --> 00:18:03,440 You are to complete these lesson plans, forms, and grave lists. Ms. Grant's 265 00:18:03,440 --> 00:18:06,500 orders. Oh, well, Ms. Berg, I promise. By the end of the week. 266 00:18:06,920 --> 00:18:10,380 Today, Ms. Grant said I could use force if necessary. 267 00:18:12,730 --> 00:18:14,050 Well, that won't be necessary. 268 00:18:15,030 --> 00:18:16,110 Actually, Miss Grant is right. 269 00:18:17,070 --> 00:18:18,610 I've been putting this off for too long. 270 00:18:19,410 --> 00:18:21,930 I mean, of course, Shining Light is still pretty ragged. 271 00:18:22,150 --> 00:18:25,130 I guess one less dance rehearsal won't make much of a difference. Probably not. 272 00:18:25,470 --> 00:18:28,210 I mean, so would a couple of the numbers of Sloppy. But a lot of people won't 273 00:18:28,210 --> 00:18:29,210 even notice. 274 00:18:29,290 --> 00:18:32,030 Well, I don't know about that. I mean, we have to keep our priorities straight 275 00:18:32,030 --> 00:18:36,310 here. What's more important, Miss Paperwork or putting on a good show? 276 00:18:37,270 --> 00:18:39,410 Mr. Johnson, get the brick. 277 00:18:39,970 --> 00:18:40,849 Excuse me? 278 00:18:40,850 --> 00:18:41,739 Take off. 279 00:18:41,740 --> 00:18:43,840 Fetus, I haven't even seen you today. 280 00:18:44,200 --> 00:18:46,540 The bird walked a dog. 281 00:18:49,480 --> 00:18:53,080 Paul, that was great. I mean it. Good food, good company. 282 00:18:53,300 --> 00:18:54,400 What's it going to cost me? 283 00:18:55,240 --> 00:18:59,140 Cost you? Yes, cost me, as in the big favor. I know you're getting ready to 284 00:18:59,140 --> 00:19:02,720 me for it. I am shocked and appalled that you think me capable of tendering a 285 00:19:02,720 --> 00:19:03,720 bride. 286 00:19:04,680 --> 00:19:08,040 It's just a tiny little favor. But it's not even for me. It's for Jesse 287 00:19:08,040 --> 00:19:12,480 Velasquez. Jesse Velasquez, the same Jesse Velasquez that stole Leroy from 288 00:19:12,540 --> 00:19:16,800 The same Jesse Velasquez who temporarily borrowed your assistant to help create 289 00:19:16,800 --> 00:19:19,760 a dance routine of great use. Yeah, I see. 290 00:19:20,100 --> 00:19:24,800 Okay. Well, talented though they both are, there is one area which cries out 291 00:19:24,800 --> 00:19:27,860 your particular expertise and guidance. 292 00:19:28,260 --> 00:19:32,140 So with the, uh... Tap dancing, though. 293 00:19:32,420 --> 00:19:35,610 Tap? dancing. Boy, you know how long it's been I had on some tats. 294 00:19:36,130 --> 00:19:37,770 Gold diggers in 1935, wouldn't it? 295 00:19:38,490 --> 00:19:41,910 Your mama is a gold digger. Your mama is still a gold digger. 296 00:20:31,959 --> 00:20:35,660 Thank you. All right, people, hold on to what we did. I'll see you on your lunch 297 00:20:35,660 --> 00:20:36,840 break right back here, okay? 298 00:20:38,860 --> 00:20:39,860 Everybody downstairs. 299 00:20:40,040 --> 00:20:41,720 The boss wants to talk to you. Let's go. 300 00:20:42,560 --> 00:20:44,600 Hey, Miltie, how'd you like the zoo? 301 00:20:44,900 --> 00:20:45,900 See the monkeys? 302 00:20:50,620 --> 00:20:57,520 Ladies and gentlemen, I've just heard from the Board 303 00:20:57,520 --> 00:21:03,220 of Education regarding the budget for... shining lights the board has rejected 304 00:21:03,220 --> 00:21:10,220 it i tried everything i could i told them how much the show means to 305 00:21:10,220 --> 00:21:15,920 us all and how much it could mean to the school the board is simply not willing 306 00:21:15,920 --> 00:21:22,500 to spend the money and that gives me no alternative shining 307 00:21:22,500 --> 00:21:23,500 lights 308 00:21:44,220 --> 00:21:46,040 Miltie, there's got to be some way to cut the budget. 309 00:21:46,980 --> 00:21:50,500 Even with my most creative finagling, I can only come up with about 8 % off, 310 00:21:50,640 --> 00:21:53,680 boss. Quit calling me boss. The show's dead. I'm not your boss anymore. 311 00:21:54,060 --> 00:21:54,919 Right, Chief. 312 00:21:54,920 --> 00:21:57,220 Hey, this is a place I might be able to help you out. 313 00:21:57,420 --> 00:21:59,100 What if I loan you the footwear for the chorus? 314 00:21:59,660 --> 00:22:02,000 Thanks, Lou, but I don't think the chorus could tap in bowling shoes. 315 00:22:02,380 --> 00:22:04,000 Maybe we could take out a few songs. 316 00:22:04,620 --> 00:22:07,140 Kill a dance number. No, you'd ruin it. That script is gold. 317 00:22:07,400 --> 00:22:08,520 But you can't quit now. 318 00:22:09,000 --> 00:22:10,060 I already bought a ticket. 319 00:22:10,580 --> 00:22:12,180 And what happens if the show must go on? 320 00:22:13,160 --> 00:22:14,800 Forget about it. There's nothing we can do. 321 00:22:15,040 --> 00:22:17,480 I should have known we were biting off more than we could chew. 322 00:22:19,160 --> 00:22:21,320 I guess I'm just not cut out to be a director. 323 00:22:21,940 --> 00:22:23,500 You're being pretty hard on yourself, kid. 324 00:22:24,240 --> 00:22:27,140 I thought we could put on a show that would knock everybody's socks off. 325 00:22:28,160 --> 00:22:29,480 I must have been dreaming. 326 00:22:30,740 --> 00:22:31,740 Let's face it. 327 00:22:33,060 --> 00:22:34,580 Shining Lights was out of our reach. 328 00:22:58,600 --> 00:23:00,920 Mr. Mackenzie, Mr. Derrick, my card. 329 00:23:01,160 --> 00:23:02,260 Go right in. 330 00:23:04,480 --> 00:23:07,680 Free ball polishing with this card. 331 00:23:18,660 --> 00:23:20,360 I'm too blue to even play the blues. 332 00:23:31,950 --> 00:23:32,950 No idea. 333 00:23:33,110 --> 00:23:37,990 You all know Mr. Lou Mackey of Lou's Lanes. It gives me great pleasure to 334 00:23:37,990 --> 00:23:42,690 announce that Mr. Mackey has donated the necessary funds to produce Shining 335 00:23:42,690 --> 00:23:45,030 Lights. The show will go on. 336 00:23:52,930 --> 00:23:58,730 You know, when I was a kid, there was nothing like the School of the Arts. 337 00:23:59,420 --> 00:24:01,800 If there had been, who knows? Maybe today I'd be playing the violin. 338 00:24:02,920 --> 00:24:04,940 The point is, at least I would have had the opportunity. 339 00:24:05,380 --> 00:24:06,880 And that's why I'm glad the school is here. 340 00:24:08,400 --> 00:24:09,600 Besides, you kids are good customers. 341 00:24:10,060 --> 00:24:11,720 And I figure it's time to give you something back. 342 00:24:12,420 --> 00:24:14,540 So, uh, Mr. Director, come here. 343 00:24:16,680 --> 00:24:17,680 Here you go. 344 00:24:19,620 --> 00:24:20,720 Knock my socks off. 345 00:24:21,700 --> 00:24:23,880 Lou, I thank you. 346 00:24:24,920 --> 00:24:26,260 We all thank you. 347 00:24:31,580 --> 00:24:32,960 Okay. Get to work. 348 00:24:33,400 --> 00:24:39,380 And remember, when you're facing a 7 -10 split, you still get a second ball. 349 00:24:51,400 --> 00:24:56,340 Has anyone ever told you your eyes are the color of lilac in the spring? 350 00:24:56,980 --> 00:24:58,820 Of course not. My eyes are brown. 351 00:25:00,240 --> 00:25:01,240 Lilac -toned brown. 352 00:25:01,400 --> 00:25:03,040 Funny joke, boss. It stinks. 353 00:25:03,520 --> 00:25:05,620 Right. All right, all right. Hold it. 354 00:25:07,400 --> 00:25:09,420 You two look like a couple of high school kids. 355 00:25:09,700 --> 00:25:11,880 Hey, we are a couple of high school kids. 356 00:25:12,140 --> 00:25:13,480 The thing just doesn't work. 357 00:25:13,760 --> 00:25:14,760 What's wrong with the thing? 358 00:25:14,940 --> 00:25:17,620 Everything. It's too talky, not romantic enough. 359 00:25:18,720 --> 00:25:22,940 What we need here is a song. A love to it. Another song? No way. 360 00:25:23,240 --> 00:25:24,239 Let's take a vote. 361 00:25:24,240 --> 00:25:25,320 You want a vote? Fine. 362 00:25:25,560 --> 00:25:27,800 I vote no. End of vote. The no's have it. 363 00:25:29,840 --> 00:25:30,880 Okay? Yeah, I'm fine. 364 00:25:31,120 --> 00:25:33,420 You look beat. You ought to go take a break. I'm fine, I tell you. 365 00:25:34,060 --> 00:25:36,840 All right, everybody, dinner break one hour. Back at seven sharp. 366 00:25:37,160 --> 00:25:39,840 Bosh, you're bush. Why don't you go catch a few wings? The show looks okay. 367 00:25:40,060 --> 00:25:43,300 Okay isn't good enough. I'm not going to rest until this show is perfect. 368 00:26:04,580 --> 00:26:07,200 He's resting. He's not to be disturbed. Now, what do you need? We know the show 369 00:26:07,200 --> 00:26:09,480 needs a song and a second act. There's something we wrote that would fit right 370 00:26:09,480 --> 00:26:10,960 in. Everybody's a composer. 371 00:26:11,220 --> 00:26:12,920 Okay, give me the tape. I'll play it for him. 372 00:26:14,100 --> 00:26:15,100 What's the matter? 373 00:26:15,540 --> 00:26:18,500 Oh, I get it. You think I'm going to hold a grudge against you and Julian 374 00:26:18,500 --> 00:26:19,820 sending me to the Bronx Zoo? 375 00:26:20,580 --> 00:26:24,840 Come on. You honestly think that I would put a petty desire for revenge over the 376 00:26:24,840 --> 00:26:26,180 good of this show, do you? 377 00:26:28,440 --> 00:26:29,600 Nah, I guess not. 378 00:26:34,830 --> 00:26:35,830 Well, think again. 379 00:26:38,830 --> 00:26:43,850 Jesse, I'm exhausted. I just have to hear this ballad just one more time. So, 380 00:26:44,030 --> 00:26:45,030 humor me. 381 00:26:45,710 --> 00:26:46,710 From the top. 382 00:26:54,830 --> 00:26:58,090 There's a saying old, says that love is blind. 383 00:26:59,330 --> 00:27:03,450 Still we're often told, seek and ye shall find. 384 00:27:04,520 --> 00:27:09,560 So I'm going to seek a certain lad I've had 385 00:27:09,560 --> 00:27:12,180 in mind. 386 00:27:14,040 --> 00:27:17,820 Looking everywhere, haven't found him yet. 387 00:27:18,600 --> 00:27:22,560 He's the big affair I cannot forget. 388 00:27:23,760 --> 00:27:29,040 Only man I ever think of with regret. 389 00:27:34,410 --> 00:27:36,470 initial to my monogram. 390 00:28:54,160 --> 00:28:56,240 Should tell him please do 391 00:30:03,180 --> 00:30:06,300 You're making me nervous. Would you calm down, kid? This is only the dress 392 00:30:06,300 --> 00:30:08,340 rehearsal. Yeah, but we opened tonight. 393 00:30:08,620 --> 00:30:10,780 A real date in front of real people. 394 00:30:11,040 --> 00:30:12,180 Yep, it's a real show. 395 00:30:14,240 --> 00:30:15,800 Jilly, honey, what's the matter? 396 00:30:16,300 --> 00:30:18,700 She said I've never performed for a big audience before. 397 00:30:19,020 --> 00:30:20,180 I don't know if I'm good enough. 398 00:30:20,500 --> 00:30:22,820 Trust me, kid, you're good enough. You think so? 399 00:30:23,020 --> 00:30:24,020 I know so. 400 00:30:24,420 --> 00:30:26,660 The 900s of people are going to know it, too. 401 00:30:31,980 --> 00:30:33,480 You want a job singing in my nightclub? 402 00:30:33,820 --> 00:30:34,940 Why not? I can sing. 403 00:30:35,700 --> 00:30:36,700 I'm sure you can. 404 00:30:36,820 --> 00:30:37,820 You don't believe me? 405 00:30:38,260 --> 00:30:39,600 That's good, Mr. Velasquez. 406 00:30:40,080 --> 00:30:41,079 Could be better. 407 00:30:41,080 --> 00:30:43,820 We sure could use a song in the second act. Still, all in all, it's working. 408 00:30:44,040 --> 00:30:47,220 Of course it's working. Nothing to worry about, boss. The 20 grand's in the bag. 409 00:30:47,580 --> 00:30:49,080 Which is more than good enough this way. 410 00:30:50,040 --> 00:30:51,040 Here, I'll show you. 411 00:30:53,260 --> 00:30:54,700 I used to sing... 412 00:31:28,620 --> 00:31:31,380 Voice is strained. It's not damaged. It should be back within a day or so. 413 00:31:32,180 --> 00:31:35,940 I'll call the Kimball Foundation judges and tell them the show is off. What are 414 00:31:35,940 --> 00:31:37,520 you talking about? We're not going to cancel. 415 00:31:37,800 --> 00:31:40,400 Jesse, your leading lady is out of commission. Then we'll get a substitute. 416 00:31:40,700 --> 00:31:41,700 Who? 417 00:31:41,740 --> 00:31:42,740 Me? You. 418 00:31:43,060 --> 00:31:45,940 But why not someone with more experience? You're the best over here, 419 00:31:46,160 --> 00:31:48,340 Now, we've only got three hours to teach you the show. What do you say, kid? 420 00:31:48,620 --> 00:31:49,640 Oh, I couldn't. 421 00:31:49,920 --> 00:31:52,120 No one can take Nicole's place, especially not me. 422 00:31:52,320 --> 00:31:54,900 Well, someone's going to have to try her this show bold. Would you rather see 423 00:31:54,900 --> 00:31:55,900 that happen? 424 00:32:00,140 --> 00:32:02,700 And now I'd like more champagne, Mr. Ross. Keep that smile going. 425 00:32:02,920 --> 00:32:04,500 I think you've had enough, Miss Norton. 426 00:32:05,400 --> 00:32:06,940 Nonsense. I'm celebrating. 427 00:32:08,760 --> 00:32:13,040 After all, I... I can't remember. 428 00:32:13,300 --> 00:32:14,600 This is expensive champagne. 429 00:32:17,080 --> 00:32:18,700 This is expensive champagne. 430 00:32:19,540 --> 00:32:26,460 The evening is young and I intend to... I intend to... Tell 431 00:32:26,460 --> 00:32:27,460 you I can't do this. 432 00:32:30,440 --> 00:32:33,780 Maybe not. Maybe we're wasting our time. Maybe there's only a slim chance of our 433 00:32:33,780 --> 00:32:36,880 pulling us off. But one thing's for sure. If you quit now, we've got no 434 00:32:36,880 --> 00:32:39,840 at all. So don't tell me you can't do it. There's only one thing you can't do, 435 00:32:39,920 --> 00:32:40,920 and that's give up. 436 00:32:50,900 --> 00:32:54,460 Nonsense. I'm celebrating. After all, this is expensive champagne. 437 00:32:55,080 --> 00:32:56,820 Buck, the lighting guy wants to see you. 438 00:32:57,040 --> 00:32:58,200 All right, keep at it. I'll be right back. 439 00:32:58,960 --> 00:32:59,960 Come on, Junior. 440 00:33:00,560 --> 00:33:01,560 Let's go. 441 00:33:02,700 --> 00:33:07,740 The evening is young, and I intend to find out which lasts longer, your 442 00:33:07,740 --> 00:33:09,640 champagne or my money. 443 00:33:09,860 --> 00:33:13,120 Okay, Ralphie's got three blowouts. He can't find a lavender gel, so the gown's 444 00:33:13,120 --> 00:33:13,899 being altered. 445 00:33:13,900 --> 00:33:15,180 It'll be ready in half an hour. 446 00:33:15,380 --> 00:33:16,600 What's the matter, boss? That song. 447 00:33:16,860 --> 00:33:20,280 Yeah, pretty crummy, huh? No, it's perfect. It sure is, boss. Perfect. 448 00:33:21,220 --> 00:33:26,260 That song. Whose is it? Ours. It's exactly what I need for the second act. 449 00:33:26,340 --> 00:33:29,280 you really like it? Like it? I love it. Why didn't you play it for me sooner? 450 00:33:29,460 --> 00:33:32,620 Well, you gave Miltie a tape of it. Tape? What tape? I don't remember any 451 00:33:34,140 --> 00:33:36,220 Miltie? Oh, yeah, that tape. 452 00:33:36,860 --> 00:33:40,680 I lost it. No, it got stolen. That's right, it got stolen from my locker. 453 00:33:40,920 --> 00:33:41,920 Miltie, you're fired. 454 00:33:42,140 --> 00:33:43,200 Fired. Right, boss. 455 00:33:44,920 --> 00:33:47,300 I liked it. I actually liked it. 456 00:33:47,500 --> 00:33:50,260 Ian, I'm so excited. Hundreds of people are going to hear our song. 457 00:34:14,190 --> 00:34:15,190 Three wallet sizes and everything. 458 00:34:15,389 --> 00:34:17,570 Listen, Jesse, do you think it's possible for me to get my picture thing 459 00:34:17,570 --> 00:34:18,448 some of the stars? 460 00:34:18,449 --> 00:34:19,969 Lou, would you excuse me for a second? 461 00:34:20,290 --> 00:34:21,290 Oh, sure. 462 00:34:27,949 --> 00:34:28,949 Miltie! 463 00:34:31,429 --> 00:34:34,230 Lou's here and he's driving me nuts. Get him out of my hair, would you? Hey, you 464 00:34:34,230 --> 00:34:35,230 fired me, remember? 465 00:34:35,489 --> 00:34:37,570 All right, I'm rehiring you. Not so fast. 466 00:34:37,929 --> 00:34:38,908 I want a raise. 467 00:34:38,909 --> 00:34:40,010 How much are we paying you now? 468 00:34:40,250 --> 00:34:41,969 Nothing. Good. Your salary just doubled. 469 00:34:50,250 --> 00:34:52,150 Hey, Milton. How you doing? See the program? 470 00:34:53,250 --> 00:34:55,389 Produced by Special Arrangements with Lou's Lings. 471 00:34:55,850 --> 00:34:57,470 They're good food and bowling meat. 472 00:34:58,010 --> 00:34:59,370 Try a rally like this. 473 00:34:59,590 --> 00:35:00,650 Open seven days. 474 00:35:01,170 --> 00:35:03,650 Forgot to mention ladies' night. Space limitations, Lou. 475 00:35:04,130 --> 00:35:06,650 Special thanks to Mr. Boone Mackey, patron of the arts. 476 00:35:07,030 --> 00:35:08,870 It's got a nice ring to it. Patron of the arts. 477 00:35:10,150 --> 00:35:11,850 I like that. We thought you might. 478 00:35:16,670 --> 00:35:17,930 What do you think's going to happen? 479 00:35:19,819 --> 00:35:21,000 There's going to be a great success. 480 00:35:21,420 --> 00:35:22,860 Or a total disaster. 481 00:35:24,320 --> 00:35:25,540 Either way, we've got great seats. 482 00:35:32,020 --> 00:35:34,020 Nicole. I came to wish you luck. 483 00:35:34,320 --> 00:35:35,940 Your voice, it's coming back. 484 00:35:36,160 --> 00:35:38,740 Oh, thank heavens. That means you can go on tonight, right? I can't go on 485 00:35:38,740 --> 00:35:40,160 tonight. I sound like a frog with asthma. 486 00:35:41,100 --> 00:35:42,140 I can't go on either. 487 00:35:42,400 --> 00:35:44,440 My stomach really hurts and I think I've got a fever. 488 00:35:44,740 --> 00:35:46,860 Jillian, I know what you're going through. You're scared, but you've got 489 00:35:46,860 --> 00:35:48,400 past that. You've just got to have fun with it. 490 00:35:48,880 --> 00:35:51,300 Fun? Fun, yeah. That's why you're doing it, right? Because you love to dance. 491 00:35:51,580 --> 00:35:52,578 I don't remember. 492 00:35:52,580 --> 00:35:54,140 I think I really wanted to be a nurse. 493 00:35:54,360 --> 00:35:56,760 Oh, come on. I've seen the way you dance. You can't tell me you don't love 494 00:35:56,900 --> 00:35:58,840 It's not the dancing. It's the people watching. 495 00:35:59,080 --> 00:36:01,360 Well, pretend they're not even there. Just get out there and dance for 496 00:36:01,360 --> 00:36:02,360 for the joy of it. 497 00:36:02,560 --> 00:36:03,279 Is that what you do? 498 00:36:03,280 --> 00:36:04,520 No, but if it works for you, great. 499 00:36:05,120 --> 00:36:06,280 Now, come on. Stop moving. 500 00:36:06,680 --> 00:36:09,000 Pull yourself together and say, I can do it. 501 00:36:09,600 --> 00:36:10,519 I can do it. 502 00:36:10,520 --> 00:36:13,700 Louder. I can do it. Come on, Jillian. I can do it. All right, now I want you to 503 00:36:13,700 --> 00:36:16,000 get out there and be almost as good as I would have been. 504 00:36:20,819 --> 00:36:22,000 Everybody, am I preferred? 505 00:36:23,800 --> 00:36:24,519 All right. 506 00:36:24,520 --> 00:36:25,520 Listen to me, Jimmy. 507 00:36:25,580 --> 00:36:28,540 There's a lot riding on you tonight. But don't forget, we want you to be a 508 00:36:28,540 --> 00:36:32,260 smash. So do your best. Make us proud. You're going out there and nobody but... 509 00:36:32,260 --> 00:36:33,260 Shut up! 510 00:38:50,220 --> 00:38:51,118 She's fantastic. 511 00:38:51,120 --> 00:38:53,640 You know what, Mildy? For once in your life, you're right. 512 00:38:58,460 --> 00:39:00,000 Come off it. 513 00:39:00,480 --> 00:39:03,300 You're crazy about me. Admit it. I will not. 514 00:39:03,700 --> 00:39:04,700 Yes, you will. 515 00:39:04,760 --> 00:39:05,760 Oh, no, I won't. 516 00:39:05,840 --> 00:39:08,120 I have an argument that'll make you see it my way. 517 00:39:08,320 --> 00:39:09,840 Yeah, what pray tell might that be? 518 00:39:20,140 --> 00:39:21,180 Could I hear that argument again? 519 00:40:08,080 --> 00:40:08,638 Come on, everybody. 520 00:40:08,640 --> 00:40:09,640 Party's at my place. Let's go. 521 00:40:09,780 --> 00:40:10,780 Let's go. Come on. 522 00:40:11,100 --> 00:40:12,100 Hey, Mr. Director. 523 00:40:12,400 --> 00:40:14,020 Get a move on while the pizza's still hot. 524 00:40:15,700 --> 00:40:16,700 What's troubling you? 525 00:40:17,280 --> 00:40:18,280 You didn't like the show? 526 00:40:18,720 --> 00:40:20,380 Loved the show. It was great. Went out without a hitch. 527 00:40:20,700 --> 00:40:22,000 Then what? You worried about the reviews? 528 00:40:22,380 --> 00:40:24,600 Not a bit. The show's a smash. It'll run for months. 529 00:40:25,200 --> 00:40:26,440 So what's with the long face? 530 00:40:26,880 --> 00:40:28,260 You think you could have had a better star? 531 00:40:28,920 --> 00:40:32,080 Gillian was perfect. Kids are natural. Mark my words. Got a big future ahead of 532 00:40:32,080 --> 00:40:33,240 her. So then what is it? 533 00:40:33,620 --> 00:40:36,260 The Kimball Foundation Prize? Hey, listen. I saw those judges leaving. 534 00:40:36,810 --> 00:40:37,810 They were all smiles. 535 00:40:37,830 --> 00:40:40,370 Of course they were all smiles. We killed them. Twenty grand is as good as 536 00:40:40,430 --> 00:40:41,089 I tell you. 537 00:40:41,090 --> 00:40:42,190 So what's eating you? 538 00:40:42,470 --> 00:40:43,470 Nothing's eating me. 539 00:40:43,510 --> 00:40:44,510 I'm just thinking. 540 00:40:45,090 --> 00:40:46,090 About what? 541 00:40:48,250 --> 00:40:49,530 Our next show. 542 00:40:50,330 --> 00:40:53,930 Even bigger and better than Shining Lights. 543 00:40:54,290 --> 00:40:56,870 Uh -oh. No, no, the biggest show ever. 544 00:40:57,450 --> 00:41:02,210 Think about it. More singing, more dancing, magnificent costumes, towering 545 00:41:02,510 --> 00:41:05,270 Oh, your horse is kid. I can't afford that. It'll be tremendous. 546 00:41:05,830 --> 00:41:07,720 Colossal. Jesse, I'd have to sell the alley. 547 00:41:08,060 --> 00:41:08,939 Picture this. 548 00:41:08,940 --> 00:41:11,640 We open in the lobby of the Waldorf. 549 00:41:11,840 --> 00:41:15,380 The Waldorf? No, too small. I got it. Grand Central Station. 550 00:41:15,740 --> 00:41:17,080 No, no, no. Still too small. 551 00:41:17,400 --> 00:41:20,740 Better yet, we don't open inside anything. We open outside. 552 00:41:21,180 --> 00:41:25,140 Yes, that's it. We'll start with a heavenly chorus singing. 553 00:41:25,540 --> 00:41:26,540 Yes, yes. 554 00:41:27,000 --> 00:41:28,560 Let me see. Get this. 555 00:41:28,920 --> 00:41:30,700 The Metropolitan Art Museum. 556 00:41:31,040 --> 00:41:33,520 Yeah, we're 20. No, 30. No, no. 557 00:41:33,950 --> 00:41:34,868 Fifty dancers. 558 00:41:34,870 --> 00:41:36,470 Why, it'll be stupendous. 559 00:43:06,220 --> 00:43:13,100 So dancing feet On the avenue I'm taking you to Forty seconds 560 00:43:13,100 --> 00:43:20,040 feet Here's a beat Of dancing feet It's the sound of 561 00:43:20,040 --> 00:43:23,140 the avenue Forty seconds feet 562 00:43:39,340 --> 00:43:40,340 Thank you.